Rivera-Rodas proposes a new concept about what he calls the poetics of the theatrical reception. The discussion of this phenomenon, which also deals with meta theater, focuses on the dramatic work of Mario Vargas Llosa. Examination of the complex relationships of contemporary dramatic structures provides a new definition of meta theater and its effects on the public. Meta theater is shown as a semiotic result not theatrically representable, since it takes place only in the spectator's perceptible experience. Therefore, it does not exist.
descargar libro en pdf El metateatro y la dramática de Vargas Llosa: Hacia una poética del espectador: Hacia Una Poetica Del Espectador (Purdue University Monographs in Romance Languages)
libro El metateatro y la dramática de Vargas Llosa: Hacia una poética del espectador: Hacia Una Poetica Del Espectador (Purdue University Monographs in Romance Languages) pdf
Descargar El metateatro y la dramática de Vargas Llosa: Hacia una poética del espectador: Hacia Una Poetica Del Espectador (Purdue University Monographs in Romance Languages) pdf Oscar Rivera-Rodas
descargar libro El metateatro y la dramática de Vargas Llosa: Hacia una poética del espectador: Hacia Una Poetica Del Espectador (Purdue University Monographs in Romance Languages)
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